How to work with a professional designer
In the 3 years I’ve been in business I’ve seen many different job requests come in. However, of all my job requests, only about 10% actually ever go through. There are all sorts of reasons, but many times it’s due to some common issues. This leads me to believe that many people out there don’t know the preferred practices when it comes to working with, and hiring designers.
The bad news is that it gets even harder to book a designer the more professional (and booked) they are. I’m hoping that this article can guide clients everywhere through the common preferred industry practices when it comes to working with and booking designers. Keep in mind that I mean only the best by sharing these tips.
In order to show a more broad view of the subject, I’ve also asked my buddy Tim Van Damme to step in and guest edit this article.
Basic DO’s & DON’Ts’:
DO use the contact form or preferred method of contact listed on the site
It’s important to contact the designer you’d like to work with, using their own system. Putting someone on the spot by calling them out of the blue, or just emailing them is usually not a good way to start a business relationship.
There are cases where this is acceptable. For instance, if you already have a relationship with the designer from prior work, or if you’ve met before at a function, etc.
Always best to play it safe and use what is listed on their site: their contact form, RFP document, listed sales email address, or phone number. Designers usually have multiple email addresses, and there’s nothing worse than getting project requests or support questions in your private inbox. Use the right email address, your designer will love you for it.
DO have a referral from a past client if possible
Referrals are huge in the design world. If I’ve worked with a great client in the past, and they tell someone to contact me, it’s bound to catch my attention much more than a random job request email.
If you have a relationship with someone who’s worked with the designer you would like to work with, make sure to get their referral and mention that in your communication with the designer.
Vice-versa, if a designer specializes in a certain type of work, he should make sure to tell his clients that so they only spread the word to clients that fit the specialty.
DO plan WAY in advance (or have a ton of money) and commit early
Almost all of the jobs I turn down are due to lack of time. Most designers are booked up for months in advance. That’s just the way it is. If you want to work with a top notch designer, then you should expect to wait a while to work with them. The exception to this is if you have a rush project with a huge budget.
Occasionally the money involved in a rush project will be enough to convince an otherwise booked designer to work with you. Expect to be billed 2-3x the normal rate.
The other aspect to this is that you need to commit early. Sometimes I get clients who contact me way in advance, but take a long time to commit to the project. The committing portion is important because you can’t be put on the calendar for sure unless you are 100% committed to work with the designer. It’s not who emails first, it’s who commits first. Expect to pay a deposit pretty soon after the project gets scheduled. Which brings us to…
DO pay according to the designer’s requirements
You will always win points with a designer by paying by their terms (and on time). Some companies only want to pay Net 30/60, but often-times a solo designer cannot afford that overhead. If you really want to work with a great designer, it always helps to pay according to their requested schedule and terms.
Personally, I usually bill per phase with a 50% deposit up front and 50% on completion of the portion of the project except for long-term projects. When clients cannot comply with these billing terms, it generally causes me to reconsider working on the project. It’s a matter of respect for the person you’re hiring.
DO work with the designer’s preferred method of communication
This comes up a lot nowadays it seems. Many designers (including myself) really don’t like using the phone unless it’s really necessary. A good gesture would be to try to communicate with the designer in the way that they prefer. Especially when you first contact them. First contact should always go through email. After that, a designer might want to switch to IM or phone (However, respect boundaries. Don’t disturb him when his status is “Away”, or call after normal hours).
DO know what type of work the designer does and their style
I often get requests for types of work that I usually don’t do. Make sure you take the time to read the designer’s website to see what type of work they generally do. For example: I used to do icons and Mac UI work, and I still get requests for icon work even though my site says nothing about that anymore (and used to explicitly mention that I no longer was accepting that type of work). Make sure you’re talking to the right type of designer.
In a similar vein, don’t ask a designer to do something that is outside of their style. Get to know the designer’s style before-hand. If they are great with minimalist style, then that’s the type of work you should ask them to do. If they are great with a “web 2.0” glossy-bubbles-style then you should expect them to work within that style.
Don’t be offended when a designer tells you your project isn’t their style. It’s for your own good.
DO be patient
Update: This point has been pretty controversial according to commenters. This might not apply for many designers.
Designers usually lead very busy lives. There is so much to do, and so little time. Many designers don’t have someone who handles their job requests for them, so be patient. Be willing to wait a few weeks before you hear a response. At the same time, if a month goes by and you don’t hear back, you should politely ask if they have received your mail.
DON’T be too legalistic
No one likes lawyer-speak. If you want to work with a designer, don’t start out on the wrong foot by being super legalistic with NDA’s, Non-competes, etc, etc. These sorts of things are very frustrating for designers. I understand there are times when NDA’s and such must be utilized, but consider whether or not it’s entirely necessary. Especially when you first contact the designer. Requesting an NDA, before you even send the project brief, will almost always get you ignored by the best designers.
Also, when a designer promises you he won’t tell anyone, he won’t tell anyone. He has a reputation, and isn’t going to risk losing that, so don’t make him look for something as ancient as a bloody fax-machine, and take his word on it.
On a similar tangent, designers will love you if you keep your contracts worded in english instead of legal gibberish, and trimmed down to only what’s necessary. Here’s a great guide on how to do that.
DON’T have the wrong size budget
If there’s anything that will turn me away from a project, it’s looking at the budget that definitely does not fit the project. A good website or application costs a lot of money. Months of work usually go into a site. You should expect to pay a good amount of money to work with an experienced designer. It’s the same deal with all types of designers; interior designers, architects, industrial designers, wedding planners, etc. Have a good budget set aside for the project, or you’ll have to look for a designer that can fit your budget.
DON’T ask for spec (free) work
Designers hate spec work. Don’t contact any designer and ask them to design something for you for free, or give you ideas for free. I’m sorry, but that’s a big huge no-no in this industry.
DON’T send a mass email with a generic description
Designers tend to ignore emails that are just copied and pasted and mailed to every designer on a list. It’s obvious when that happens, and it’s not a good way to win points with any designer. Writing a personalized email that proves you’re familiar with their work is always a big plus, and improves your chances of the designer accepting your project.
DON’T make it a competition
In general, designers hate to have to “bid” on a project or write a proposal for you that will be considered out of a ton of other proposals. If you’re doing that, then keep it to yourself, don’t make it out to be a competition. It’s too much work to “chase down” clients like that.
We are almost always busy working on other stuff, and we have clients who we don’t have to chase. Be serious about working with a designer when you contact them. We’re serious when we respond.
DON’T be too flexible
These last two rules go hand in hand. Designers need guidelines and constraints in order to design. Sure, there are fun times when you can be completely creative, but reality says that every project has guidelines and constraints. When I receive projects that don’t have those, I feel like there must be something wrong with the project. It just seems “too good to be true” I suppose.
Providing a basic direction of the project will help speed it up dramatically. Otherwise you’re paying your designer to look for a nail in a haystack. In the dark. Blindfolded. With thick rubber gloves on.
DON’T be too specific
There has to be room for creativity within your product or website. Designers hate having all their ideas shut down. That’s what you’re paying for, after all. If you have a strong vision of what you want your site or product to look like, it’s going to be very tough to work with you. Do everyone a favor and keep an open mind about the project and what you want it to look like. Being too specific really turns designers off.
Keep in mind you’ve hired a professional and they’ve had much experience making great websites. A designer’s best work is delivered when he has some breathing space. Although sometimes it may look like they don’t know what they’re doing, trust your designer.
That’s all the advice I have for now. If you have other thoughts or opinions, please share them in the comments. I’m interested to see what others have to say. Keep in mind that I am trying to be helpful with this article, and mean no disrespect to anyone who may be using these practices or may have used them in the past.



43 comments
Douglas Neiner
Jul 9, 2009Great read Josh. Really liked the concepts!
I think I would disagree with you about waiting for a few weeks for a response before checking in. I run my shop like a business, not a freelancer… so maybe there is some difference. But a week before a response on a new client contact (unless it was a mass request) is too long IMO. But then, I have a business dev. manager, so its easy for me to say ;)
Elliot Jay Stocks
Jul 9, 2009Great post, Josh (and Tim)!
So many clients need to read this. I’ve got a post in my drafts that will hopefully compliment this nicely, so expect some links soon!
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Jul 9, 2009Hey Douglas,
Everyone has a different situation I think. For me, I don’t have a dedicated person to work on job requests, so I have to respond as I have time. I put good care into each response, so it takes some time for each job request. Thanks for posting! I think it’s great to get more opinions in here.
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Jul 9, 2009Elliot: Thanks man :) I truly hope it’s helpful for people. Let me know when your post goes up and i’ll post a link as well.
Tim Van Damme
Jul 9, 2009Douglas: That was the only point Josh and I discussed about :)
I’m more of an inbox-maniac, responding to all emails within 48 hours. However, this forces me to make quick decisions, and that’s not always good. Sometimes I regret turning down one project or accepting another.
chriskalani
Jul 9, 2009Have fun working with nobody then
Lee Munroe
Jul 9, 2009Great post Josh, you hit the nail on the head here.
I don’t like taking phone calls either as its disrupting, and I usually end up telling them to email me anyway.
Clients can be too specific sometimes, and in the past I have become a ‘pixel pusher’ just so I could get the job done and move on. Some clients will already know what they want and basically just need a monkey to put it in place so its important to identify this before you take on a project and waste time.
Trevor Fitzright
Jul 9, 2009This reads like a backstage rider for a top act. You forgot to mention: “Send the designer M&M’s, but no brown ones. Designers hate brown M&M’s.”
David Frey
Jul 9, 2009I think deep down I agree with you on all these points as a designer and as a programmer; however, I also feel its important as a freelancer concerned about my reputation to put forth a little bit more effort for my clients and remain approachable. I don’t want anyone to feel like I think they are beneath me simply because they don’t understand the way I work or my preferred methods of contact. Thanks for posting your thoughts, a good time to reflect on own communication challenges.
Amy Stoddard
Jul 9, 2009Thanks for writing this article. Has anyone come across a well-written RFP checklist for website production? My small to medium-sized clients have a hard time grasping that a good end-product results from having good assets (photography, video, copy). Those are the costs they almost never want to bake in or alot time for in production.
Josh Clark
Jul 9, 2009I tend to agree with the tension that David Frey raises above. In a sense, as freelancers we may be in high demand, be quirky, and like things a particular way. I know I do. That said, we are ultimately offering a service, which as you say above, we are asking a pretty penny for. Because of this, part of our mantra must be to provide excellent customer service. I agree with many of your points, but I think a “do” for freelancers is to provide good customer service.
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Jul 9, 2009David: I agree. My point isn’t that I won’t listen to anyone who doesn’t follow these points exactly, but I’m trying to explain generally what is preferred, and how their project can be better received.
Josh: Similar to what I just said to David, customer service is important, but I think it goes both ways. I treat my clients well, but I expect them to do the same for me. It’s a relationship, not the same as a huge corporation. I also think that it’s different for people with larger businesses. Once you get a larger team together, some of these things don’t apply.
Amy: No, I haven’t heard of anything like that, but I think it would be very useful. I’ve looked at several RFP forms in the past to get ideas of what’s generally asked, but I think someone should write something about that topic.
Shea
Jul 9, 2009Good Post! We actually have a post on a related topic on our site (3thoughtcreative.com) with tips for clients on how to work more cost-effectively with a designer.
I agree that it is a graphic designer’s responsibility to provide good customer service and one needs to be sensitive to the client’s needs/quirks/experience. But very often, a designer is expected to make up for other’s short comings in the project planning process. We are expected to put up with things that clients would never dream of asking of other vendors. Nothing wrong with a little client education.
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Jul 9, 2009Fine job outlining many of the frustrations we deal with in our chose profession. Most of the outlined points make sense, however the tone of the article comes across as “whiny” (for lack of a better term). I would probably not send this to a client - at least not using this tone.
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Jul 9, 2009*chosen
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Jul 9, 2009Bora: I really don’t want the post to seem like a rant, cause it’s not. This article was mainly written for people who aren’t clients yet. It’s about how to hire a designer more than about how to work with someone after the fact.
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Jul 10, 2009Josh: Good Post! In general I like most of your comments. Being in a service industry, as designers I think we try to find balance between being courteous, professional and attentive to clients while upholding our own parameters we expect from those clients. It’s important to ask your clients the right questions in the beginning to show them you care about their time as well as yours. Creating value you in your work and garnering respect instead of demanding it is the key. I think this is accomplished by having the proper systems in place that make the client feel that there vision for the project will be realized in a cost-effective and time efficient manner. All clients are different and you’ll have those that have a very limited vision on what they want and those that are very specific. I personally think it’s more frustrating to have clients that don’t have a somewhat clear vision as you could very well be spinning your wheels throughout the whole process (again another reason to ask the right questions in the beginning of the project). In regards to “DON’T MAKE IT A COMPETITION” I don’t like this either, but we all know it’s a competition whether we like it or not. If you’re like me and I’m not against it, but sites like Elance are just not for me. I’m not interested in an all-out race to see who can bid the lowest(or for that matter get paid the least amount of money). I’m just at a different place and value my time and work on a different scale. But we all have to start somewhere to start building those referrals. Regarding the legal end of things, every designer should have their own collection of legal documents they use catered to their business. So, a client presents you with legal documents? Present them with yours in a professional non-threatening way. I respect anybody trying to protect themselves legally. Just make sure the points made through all the legality are valid and make sense.
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Jul 10, 2009AK: Thanks :)
It’s true about the balance, for sure.
In regards to the competition. I think for some clients it’s all about who can do it for the cheapest, but my point was not to purposely make it a competition in a job request. Sure, they could collect estimates from several designers if they wanted, but to make it a “competition” is just annoying and disrespectful.
About the legal issue, I definitely understand there are times when legal contracts are necessary, and people want to protect themselves. I have a contract for my clients. I just wanted to point out that receiving excessive legal contracts in a project (especially before beginning) is not a good thing.
Andrew Wilkinson
Jul 13, 2009Really enjoyed the article! You guys raise some excellent points - most of wich I totally agree with - but I took issue with a few things.
I really don’t think clients should expect to wait a long time for a response. It takes a few seconds to dash off an email letting them know whether you’re available, not to mention the fact that you’re running a service-based business. It’s important to respond quickly - communicative ambiguity is your enemy. If you leave someone hanging for too long, they’re likely to assume that you have blown them off and harbor bad feelings, however minor.
If the volume of email is too much to handle, at the very least set an auto-responder, or better, hire somebody to handle client communications. In my experience, most people want to freelance so that they can keep things simple and focus on the stuff they love. I’ve found that the opposite is true. When I was freelancing, I spent at least half of my time handling incoming client requests, keeping the books up-to-date, and wrangling payments. Don’t be afraid to hire help - it allows you to focus on your strengths and it really isn’t as expensive as you might think. Also, remember that the time you spend getting the business isn’t billable. If you spend 20 hours a month dealing with the nitty gritty, and you bill out at $100/hour, you’re losing $2,000 a month of billable design time. Why not hand it off to somebody cheaper, and free yourself up for more billable hours spent working on cool projects?
Regarding strict scheduling: Maybe I’m alone here, but I think this is totally pie in the sky. It’s nearly impossible to predict how long a project will end up taking, so it doesn’t make sense to schedule projects back to back due to inevitable delays. We’ve had small projects that have lagged on for months due to revision hungry clients. Also, maybe it’s the type of clients we attract, but it’s pretty rare that someone comes to us with a project they need three months from now.
To me, this kind of strict scheduling is inline with spec documents and business plans. It’s stuff that sounds great on paper and makes you feel more organized, but rarely works when applied to real life. I think we all know what it’s like to book a project which you’ve convinced yourself will be a 3-day blitz, only to have it lag on for 3 weeks.
We book projects as they come, based on whether or not we have the ability to take them on in the next week or two. I realize this is more challenging when you’re a one-man band, and it makes you feel like you’re flying by the seat of your pants, but as far as I’m concerned it’s the only realistic way to approach booking. Again, that’s entirely based on my experience - I might have just had a tough run with scheduling.
Regarding NDAs: God, I could not agree more. I’ve found that the more litigious guff, the worse the idea. I don’t think people realize that it’s the execution that matters more than anything. Ideas are a dime a dozen, and always bubble up around the same time. I get it when a large corporation’s legal team insists on an NDA, but I don’t need to sign one to check out an overview of the Twitter client you’re planning to build for the iPhone.
kat neville
Jul 13, 2009Great article! Just wondering… did you mean to publish people’s email address? I was surprised when I moused over the comments and saw mailto: and people’s real email address. This won’t be my real address. Curious if this was a mistake or a choice.
Andy Marshall
Jul 13, 2009Awesome - this is practically THE manifesto for how designers should and could be working - I don’t quite agree with 100% of it, but as a baseline and standard, it’s brilliant… I’m almost tempted to refer this page to any potential clients up front!
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Jul 13, 2009Andrew: Great comments. I think everyone has a slightly different way of working. Glad to hear your side.
Kat: Yeah that was intentional in the sense that it’s the default for my blog system. If it’s not standard practice to link to emails of commenters then I’ll remove it. I didn’t really think anything of it.
Andy: Really glad you liked it. I might edit this article a little bit and release it as a PDF under creative commons or something.
Martin Labuschin
Jul 14, 2009This post sucks! Did anyone here ever heard of client-orientation?
What is so professional on forget to anwer a client, so he/she has to remember you after a month? “So much to to, so little time” is absolutely not a property for beeing proud of. Get organized!
And if you have to deal with clients you have to answer or make calls and write or reply to emails, even if you don’t want to. That’s business!
PS. Sorry for my bad english :)
Rachel Toy
Jul 14, 2009I would love to be able to be like this with some of my clients, but unfortunately in the real world this isn’t true. I feel it is definately a compromise between what the client wants and what works for you. You can’t get your own way all the time! Apart from perhaps if you are Olgivy or Wolf Ollins. No one would pay your bills. The rest of us just have to take what comes if we can fit it in or not. Especially in these times. Can’t help feeling this post is a bit arrogant. Sorry!
Dave Peele
Jul 14, 2009All of these are very valid points to consider when hiring a design firm. Especially those that are concerned with timeframe, budget and quality. In most situations, it is a pick two situation - if you can only place importance on two of the, then the third has to give. Good article!
Catherine Azzarello
Jul 15, 2009I particularly like the part about filling out our forms. Still, even though I’ve made important info *required*, I get no form or *0* amounts in budget. The whole point of the form is to weed out the tire kickers from real clients—and to get the client thinking. Thing is, if they take the time to fill out the form, the creative brief is mostly complete!
I will disagree with the wait time—I always try to return emails with 24 hours. Don’t turn around bids that fast—just a note to say Thanks, got your info and I’ll be in contact soon.
Shelly
Jul 17, 2009oo - good point Naomi. I must have missed that one somehow. I respond in 24 hours (to acknowledge I received it) and usually have a proposal to them within 7 days, tops. I can’t imagine making someone wait a month! (How did I miss that before?)
However, it can’t be said that’s the *only* way to do it. In the last two weeks, I’ve spoken to 3 designers who *do* take a month. ::shrugs:: again, I guess it’s personal preference and your own working style!
Selene M. Bowlby
Jul 17, 2009I have to agree with EVERY single point you make in this post! Although like Catherine mentions, I respond to all inquiries within 1-2 business days (and send out proposals within 1 week).
I especially love the part on respecting the designer’s preferred method of contact. Admittedly, I’m not a fan of the phone, but I will have a better prepared response for you if you’ve emailed me some info (or filled out the quote request form) before calling me on the spot asking for information. There’s often some research time necessary to be sure I give the right information relevant to someone’s project.
An “on the spot” call really isn’t the way to go about that. (I do like to have all my calls scheduled, too - I will often let calls go straight to voicemail, because picking up the phone all the time can really disrupt your work flow!)
andy matthews
Jul 17, 2009While I think you make many good points, this post basically comes across as “the care and feeding of a high maintenance designer”. Everyone is busy, the client is too. Should the client jump through all of these hoops just to hire someone that’s “hot stuff” for the current 15 seconds? Client relationships are a two way street. It’s not always how happy the designer should be, it’s about making both sides comfortable.
I won’t say that the client is always right, but people in a service industry such as ours live and die by the money that clients provide. Coming across as too stand-offish can turn potential clients away.
Selene M. Bowlby
Jul 17, 2009On the contracts - I always use my own contract. I have occasionally signed a separate NDA, but as for the actual work contract, I prefer to work with mine…
Shelly
Jul 17, 2009I have to say, I agree with all of these. (I do what Selene does too - all calls go straight to voicemail unless you’ve been scheduled. I had to stand firm on it recently because someone on my local Chamber of Commerce needs a lesson on how to properly run a mailing list - but that’s another story).
I saw some of the commenters say things like “good luck getting clients with this,” but you know what? If I’m getting people requesting me to work for them that *don’t* follow these practices, then I don’t work with them Period. For me, it’s a matter of respect - I know how I work best, and if you want to work with me, you should respect that. If you do, I’ll respect your methods (and many times I’ll even “bend” myself to meet them - because I know you’re doing the same for me).
I don’t think any of this is “how to not provide customer service to clients,” it’s more of “if you want the best from your designer, then keep these in mind.” If *you* work differently, then *you* will get a different type of client than I’ll take. In fact, some of your clients are probably people *I* wouldn’t take on for the reasons stated above. I have too much respect for my time, my business, my family, and my current (and past) clients to take on someone who wants me to do things his way or no way. I’ll take “no way” every time. I’ve learned if I don’t, it’s a lesson in frustration (that usually ends badly) for *both* of us.
I don’t think applying these items - either in full or in part - will make you a terrible person to work with, and I don’t believe you’ll never get a client if you follow them in full. I’m a prime example of this. I’m booked for months in advance now. Since I’ve started putting my foot down about what kind of clients I’ll take, the only clients I’ve been getting are the ones I *want* to get. It’s win-win all around. When I’m working with people I *want* to work with, then I love to go to work every single day and do what I can to “wow” the people that make it worth my while.
Naomi Niles
Jul 17, 2009I pretty much agree with most of these except “Be willing to wait a few weeks before you hear a response.” Ouch!
If I contacted a business offering them my money and they didn’t respond back in two weeks, I’d definitely be thinking twice about working with them no matter how “awesome” they are. Think about it, would you really be willing to do that yourself if you were a client?
I always get back within 24 hours (during the work week) at least to say I got their email and when I will respond to their inquiry if I can’t do it right away.
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Jul 17, 2009Thanks everyone for your comments.
Andy: It’s so hard not to come across that way. It’s really not my intention. I want to provide suggestions for people who are motivated to work with a designer of their choice, that’s all.
To everyone who’s commented about waiting a while: That might just be my thing, rather than everyone’s. It seems like many people aren’t on board with that point.
Calgary Graphic Design
Jul 17, 2009Great tips. It’s true that clients need to be educated about our side of business, just like designers need to educate themselves about the client.
igrafix
Jul 17, 2009Designers need to think like business people if they want to be successful. Nobody waits for weeks to hear back from you, to most people it’s a clear “not interested” sign if a designer doesn’t call back within 24-48 hours. Besides, it’s just common courtesy to call back within a timely manner even if it’s just to say “no thank you.”
TheLanceLife
Jul 17, 2009Absolutely great article and great list!
I think every potential client should read it before contacting a designer!
I am thinking to print this article and show it in my studio in the entrance :)
Thank you !
Matthew E Cornish
Jul 17, 2009I need to link people to this before they ask me to do work for them!
divinefusion
Jul 17, 2009Thank you, this is awesome, I think I may attach it to all my proposals : )
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Jul 17, 2009This was a great article - and as a designer, I have a better idea of what to expect (or atleast subtly demand ;) from my clients.
I have a request - in the vein of this post, would you consider writing an article on “How to Work With a Professional Developer”?? I am just entering the industry mainly as a designer and have to send files to people to do html/css/programming. An article as in-depth as this one would be FANTASTIC! Just something to consider :)
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Jul 18, 2009Great article Josh. From what I discern you are pretty active professionally. Makes me think about what kind of people contact you, and you may have some funny stories to tell.. I would be happy to hear some interesting stories of a design project gone awry. Those always give me a good laugh. I have had some in my past as well.
David Hepburn
Jul 18, 2009Great article, Josh! Definitely agreed with everything here.
andy matthews
Jul 28, 2009@Josh…
Don’t worry, I took the article as a series of recommendations, not as canon. I’ll second the request to write a “how to work with a developer” article. While I started off my career as a designer (and still keep my chops up), I’m 100% in the programmer/developer mode these days. It would be interesting to see a post from a designer on how to work with a developer.
Erik Kraft
Jul 29, 2009Like some other commenters, I initially read this “advice” with no small measure of astonishment and, indeed, annoyance. But then I realized it was a pitch-perfect parody of the kind of entitled/self-regarding/customer-hostile behavior that often gives our profession a bad name. Bravo! My favorite piece of satire was the “Be willing to wait a few weeks before you hear a response” part. Like Jonathan Swift in his essay about eating babies, the great satirist knows when to push his essay just past the point of credulity.